General Robots

Vice Guide to Liberia


(Youtube Direktliberia, via MeFi)

Der Vice Guide to Liberia geistert schon seit ein paar Wochen durch meinen Feedreader, ich wollte aber warten, bis die Videos komplett online sind. Das ist jetzt soweit. Bei VBS gibt’s jetzt alle acht Clips und ich muss warnen: Das ist ziemlich heavy Stuff, was da gezeigt wird. Einen Vorgeschmack gibt’s in obigem Trailer, für Zartbesaitete ist das sicherlich nichts.

In The Vice Guide To Liberia, VBS travels to the capital city Monrovia to meet three men who participated in the 14 years of civil war that ravaged the West African country.

Former warlords General Rambo, General Bin Laden and General Butt Naked give us guided tours of some of the most dangerous, impoverished areas including jails, brothels, and heroin dens. Despite the UNs intervention in the country, the majority of Liberias young people live in desperate poverty. Surrounded by filth, drug addiction, and teenage prostitution, the ex child soldiers who were forced into war struggle to fend for themselves by any means necessary. As the former President Charles Taylor fights accusations of mass war crimes in The Hague, the people strive for positive change against all odds. Americas one and only foray into African colonialism is keeping a very uneasy peace indeed.

Hier der Link zu begleitenden Postings auf Viceland.com.

Heavy Metal in Baghdad – The Book

Neues von der Band aus der Doku „Heavy Metal in Baghdad“. Die bringen im März 2010 ihre erste EP namens „Only The Dead See The End Of The War“ raus. Das Vice Mag hat einen der vier Songs als MP3, außerdem gibt es ein Buch über die Band, das an die Dokumentation anknüpft.

In their internationally acclaimed, award-winning documentary, Suroosh Alvi and Eddy Moretti’s raw, uncensored portrayal of daily life in war-torn Iraq struck a chord with music fans around the world. Featuring never-before-seen photographs, Heavy Metal in Baghdad [The Book] is the untold story behind the film, picking up with the band where the documentary left off and revealing how its extraordinary story — and the humanitarian efforts it inspired — changed the lives of everyone who helped to tell it.

Acrassicauda release Song from first US Recording Session

Amazon-Partnerlink: Heavy Metal in Baghdad: The Story of Acrassicauda

Vorher auf Nerdcore:
Doku: Heavy Metal in Baghdad auf Youtube

Doku: Heavy Metal in Baghdad auf Youtube


(Youtube Direktmetal, via KFMW)

Die 2007er Doku „Heavy Metal in Baghdad“ ist kompletto auf Youtube zu sehen, ich gehe davon aus, dass das offiziell ist. Ich hatte den Film letztes Jahr schonmal gesehen und fand ihn gut, fand aber auch, dass er unter seinen Möglichkeiten blieb. Gesehen haben sollte man die Doku über die irakische Metal-Band Acrassicauda aber schon. Snip von der Filmwebsite:

Heavy Metal in Baghdad is a feature film documentary that follows the Iraqi heavy metal band Acrassicauda from the fall of Saddam Hussein in 2003 to the present day. Playing heavy metal in a Muslim country has always been a difficult (if not impossible) proposition but after Saddam’s regime was toppled, there was a brief moment for the band in which real freedom seemed possible. That hope was quickly dashed as their country fell into a bloody insurgency. From 2003-2006, Iraq disintegrated around them while Acrassicauda struggled to stay together and stay alive, always refusing to let their heavy metal dreams die. Their story echoes the unspoken hopes of an entire generation of young Iraqis.

Neuer Radiohead-Song plus Interview


(Youtube Direktradiohead, via Nico)

Radiohead haben einen neuen Song „Harry Patch (In Memory Of)“ in Gedenken an den kürzlich im Alter von 111 Jahren (!) verstorbenen, letzten britischen Überlebenden des 1. Weltkriegs auf ihre Website zum Download gestellt. Hören kann man den Song im obigen Youtube-Video, runterladen kann man ihn für ein Pfund, der an die Royal British Legion geht. Hier Thom Yorkes Bemerkungen zum Song:

Recently the last remaining UK veteran of the 1st world war Harry Patch died at the age of 111. I had heard a very emotional interview with him a few years ago on the Today program on Radio4. The way he talked about war had a profound effect on me. It became the inspiration for a song that we happened to record a few weeks before his death. It was done live in an abbey. The strings were arranged by Jonny. I very much hope the song does justice to his memory as the last survivor.

It would be very easy for our generation to forget the true horror of war, without the likes of Harry to remind us. I hope we do not forget.

As Harry himself said: “Irrespective of the uniforms we wore, we were all victims”.

Gleichzeitig hat das Believermag Auszüge eines Interviews mit Yorke online gestellt (für das komplette Interview muss man das Magazin kaufen. Hmpf.)

“I’m happy to see the CD format disappear. But what about laser discs?” Yorke facetiously asked The Believer in this revealing talk. Before that joke, though, he was more specific on his opinions of physical formats that hold digital media: “I mean, I always hated CDs. Me and Stanley [Donwood] always hated CDs. Just a fucking nightmare,” he ranted, adding later, “there’s a process of natural selection going on right now. The music business was waiting to die in its current form about twenty years ago. But then, hallelujah, the CD turned up and kept it going for a bit. But basically, it was dead.”

Yorke refused to leak details of Radiohead’s forthcoming release plans, but he did say that they’re flirting with the idea of releasing EPs and singles instead of full albums in the future.

Radiohead’s Thom Yorke Dishes on CD Hatred and the Music Industry

WWII-Mickey Mouse-Gasmaske

Der Zweck einer Mickey Mouse-Gasmaske ergibt ja durchaus Sinn, aber ich finde die Tatsache alleine schon ziemlich strange, dass es tatsächlich eine von Disney abgesegnete und damit quasi „offizielle“ Mickey Mouse-Gasmaske gab.

On January 7th, 1942, one month after Pearl Harbor, T.W. Smith, Jr., the owner of the Sun Rubber Company, and his designer, Dietrich Rempel, with Walt Disney’s approval introduced a protective mask for children. This design of the Mickey Mouse Gas Mask for children was presented to Major General William N. Porter, Chief of the Chemical Warfare Service. After approval of the CWS, Sun Rubber Products Company produced sample masks for review. Other comic book character designs were to follow, depending on the success of the Mickey Mouse mask.

The mask was designed so children would carry it and wear it as part of a game. This would reduce the fear associated with wearing a gas mask and hopefully, improve their wear time and, hence, survivability.

The Mickey Mouse Mask (via Seehere)

Saddam Hussein’s gun collection

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Saddam Husseins Waffensammlung: The man with the golden gun. Oder doch eher Flash Gordon mit Raygun?

Saddam Hussein’s gun collection (via Glaserei)

Vorher auf Nerdcore:
Fotografie von Saddams Palästen

Fotografie von Saddams Palästen

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Richard Moose war im Irak und hat Saddam Husseins verlassene Paläste fotografiert, die jetzt als Stützpunkte der US-Armee dienen. Die Bilder strahlen eine sehr strange Atmosphäre aus, BLDGBLOG (bei dem ich immer an eine disemvowelte Version des Bildblogs denken muss) hat ein Interview mit Moose.

BLDGBLOG: Beyond the most obvious reasons—for instance, there’s a war going on—why did you go to Iraq? Was there something in particular that you were hoping to see?

Mosse: I had heard plenty about Saddam’s palaces. They were the focus of the International Atomic Energy Association’s tedious investigations in the years preceding the invasion, and the news was always full of delegations being turned away from this or that palace. Why were we so keen to get inside Saddam’s palaces? Because he built so many—81 in total. Surely, we thought, he must be hiding something in those palace complexes. Surely he must be building subterranean particle accelerators. And, in the end, our curiosity got the better of us.

In fact, Saddam was building palaces in every city as an expression of his authority. Palace architecture in Iraq served as a constant reminder of Saddam’s immanence. A palace in your city simply fed the sense that Saddam was not just nearby—he was everywhere. Saddam was omnipresent.

Richard Mooses „Breach“-Projekt, Interview mit Moose auf BLDGBLOG

Doku über israelische Ex-Soldaten auf Drogentrips in Indien: Flipping Out

Am Wochenende lief auf Arte die Dokumentation „Flipping Out“ über ehemalige israelische Soldaten, die ihren Dienst abgeleistet haben und von ihrem Abschlusssold nach Indien reisen, dort ausflippen und versuchen, mit Drogen die Kriegserlebnisse zu vergessen. Die Doku ist online bei Arte für sieben Tage anzusehen.

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Nach Ableistung ihrer dreijährigen Wehrpflicht erhalten junge Israelis – Männer wie Frauen – einen Abschlusssold von 15.000 Schekel. Viele verwenden diese Abfindung für eine Reise nach Indien. Dort investieren sie das Geld in Drogen aller Art. Sie rauchen Wasserpfeife, liegen in Hängematten und feiern ausgelassen bis in die Morgenstunden. Dennoch können sie nicht entspannen. Viele der ehemaligen Rekruten sind von den Militäreinsätzen in den besetzten Gebieten traumatisiert. Und der exzessive Drogenkonsum hat weitere schwerwiegende Folgen für die ohnehin schon labile Psyche.

Jährlich benötigen rund 2.000 der israelischen Aussteiger nach ihrem Indientrip wegen des “Flipping out” genannten Phänomens professionelle Hilfe. Einige von ihnen leiden unter Paranoia und verschanzen sich, aus Angst ermordet zu werden, in Hütten. Andere stellen sich fiktive neue Lebensaufgaben und versuchen zum Beispiel die indische Region Goa in einen Orangenhain zu verwandeln – notfalls mit Waffengewalt. Zahlreiche religiöse und weltliche Organisationen nehmen sich der mitunter noch sehr jungen Leute vor Ort an und veranlassen Rehabilitierung und Rückreise.

Über zwei Jahre lang begleitete Filmemacher Yoav Shamir (”Checkpoint”, “5 Days”) die israelischen Aussteiger. Sein dritter politischer Dokumentarfilm “Flipping out” zeichnet das Bild einer tragisch-komischen Gesellschaft, die aus den Fugen geraten ist. Die skurrilen Porträts bezeugen tiefgreifende Psychosen, in denen sich traumatische Kriegserlebnisse untrennbar mit der Euphorie über die wieder gewonnene Freiheit vermischen. Der Gedanke an eine Rückkehr ins zivile Leben scheint für viele in ungreifbarer Ferne zu liegen.

Flipping out (via IheartPluto)

Waltz with Bashir – A Lebanon War Story als Graphic Novel

Ich habe am Wochenende das Comic zu einem meiner Lieblingsfilme von 2008 zu Ende gelesen: Waltz with Bashir. Comic wie Film folgen den Erlebnissen von Regisseur Ari Folman, der 1982 als israelischer Soldat im Libanon stationiert war. Aus einem Gespräch mit einem Freund, in dem dieser ihm seine Träume von 26 reissenden Hunden, die ihn jagen, schildert, resultieren bei Folman Backflashs an die damaligen Ereignisse, die er bis dahin verdrängt hatte und er macht sich auf die Suche nach ehemaligen Kriegsteilnehmern. Stück für Stück puzzelt er sich seine Erinnerung zurück und die münden in den Erinnerungen an das Massaker von Sabra und Schatila, in dem tausende Zivilisten ermordet wurden.

Das ist schonmal sehr starker Tobak, der allerdings filmisch extrem gut umgesetzt wurde. Ari Folman lieferte nämlich mit „Waltz with Bashir“ praktisch die erste Zeichentrick-Dokumentation, für die Real-Aufnahmen als Vorlage dienten. Der Film wird immer wieder unterbrochen von Traum-Sequenzen und all das ergibt das, was Folman in einem Interview als „Krieg auf einem schlechten LSD-Trip“ bezeichnet (Vorher auf Nerdcore: Interview mit Ari Folman, Regisseur von „Waltz with Bashir“). Ein absolut fantastischer Film, den ich jedem, wirklich jedem ans Herz legen will und der wirklich nur ein einziges Manko hat, das man jedoch vernachlässigen kann: Die Animationen wirken manchmal zu langsam, zu gedämpft. Das ist zwar Absicht und gewollt, wirkte auf mich aber doch zu oft als fremdartig und dieses Stilmittel brachte die Story nicht voran. Aber wir reden hier ja vom Comic zum Film und darin ist genau dieser einzige Kritikpunkt obsolet.

„Waltz with Bashir“ ist als Comic absolut fantastisch. Die zu langsame Animation ist weg, was bleibt ist die grandiose Story verpackt in träumerischen Bildern, „Krieg auf einem schlechten LSD-Trip“ eben. Und ja, ich bin sehr begeistert. Haute mich der Film schon so ziemlich weg, tut es diese Comic-Version nochmal mehr. Es ermöglicht einen eigenen Erzählrythmus, den ein Film per se nicht bieten kann, denn man kann vor Bildern verharren und sie in sich aufsaugen, wo der Film schon weiter wäre.

Und dann kommen am Ende, wie in der cineastischen Vorlage, die realen Bilder vom Massaker. Spätestens hier mutiert man zu John Lennon. Give Peace a fucking Chance! Absolute Kaufempfehlung, sowohl Comic als auch der Film.

Amazon-Partnerlink: Waltz with Bashir: A Lebanon War Story (Graphic Novel), Waltz with Bashir (Limited Edition DVD)

Review auf spOnline: Graphic Novel „Waltz with Bashir“ – Giftgrünes Gruselkabinett

Fakepilot reports on Gaza


(Youtube Direktfakepilot, via cpluv)

Mattias Lindberg aka Fakepilot ist ein Designer aus Schweden und gibt sich gerne politisch. Hier sein neuester Newsflash über den Krieg in Gaza. (Vorher auf Nerdcore: Fakepilot News: Do you want to be a dictator too?)

Good evening, this is Fakepilot. I’m back, with another neocon news report. Free-doom for Gaza!

United States closest ally Israel, have now killed over 900 people in Gasa. Over 3.000 wounded. 30% are children.

The plan: genocide or total extinction.
The excuse: The rockets from Hamas must be stopped. And since the rocket silos are portable – we have no other choice but to kill them all.

The weapons: Phosphor shells. They look beautiful, shooting out phosphor particles, like smoking killer jellyfish in the sky. They self ignite in oxygen, burn through flesh and bones. All though forbidden, great for tightly occupied places like Gaza City.

Cluster bombs. A weapon that 94 countries signed a deal to ban, is raining over Gaza. Just like in Lebanon, children and civilians will be killed by clusters long after impact.

For the first time ever, I present the latest in robot technology. The Pilotless aircraft drones. It’s the silent death from above and it’s cost effective. It’s almost like a Fake Pilot. Get it? The drone circles at high altitudes, hunting for human flesh. The drone targets both heat and cell phone signals. Their missiles are silent but highly destructive, on impact, they destroy everything within a 15 meters radius.

And now, the secret weapon. Depleted uranium tank shells. They can cut through trucks, walls, armies even tanks, like a knife through butter. They leave radioactive dust, which can kill slowly and apply birth defects to generations centuries later.

No food. No water. No electricity.

The best way to extinction is to block all entrances and destroy the supply of drinking water. It takes 3 days and nights for a full grown to die from dehydration. 750.000 people in Gaza have no water. According to UN, they would need 400 emergency convoy trucks into Gaza every day. UN reports a maximum of 37 each day. Mubarak of Egypt, blocking and waiting for Israel to finish the job.

Back in the white house, George W. Bush mourns the tragic death of India Willie, the cat. Lets have a silent 5 seconds grief and pray.

There is a Norwegian doctor drawing to much attention. He reported signs of depleted uranium, which should be kept a secret.

Reporters, is your propaganda getting rusty? Blame Hamas and their human shields. Yes, you can shoot children hostages in order to kill the enemy. Look! there is a terrorist in the hospital! No, the Red Cross ambulance was a disguised terrorist truck!

Glad you support us with our war against Muslims. I mean war against terrorism.

Remember, the illusion of democracy – must persist. That’s it for tonight. Rot in pieces.

Die Foltersongs aus Guantanamo

Hier die Liste der Folter-Songs von Guantanamo. Bee Gees, Britney, Aguilera, Peppers… da verstehe ich ja, dass man diese Songs zum Foltern einsetzt. Aber das Theme der Sesamstraße? WTF?!

AC/DC – Hell’s Bells, Shoot to Thrill
Aerosmith
Barney the Purple Dinosaur – theme tune
Bee Gees – Stayin’ Alive
Britney Spears
Bruce Springsteen – Born in the USA
Christina Aguilera – Dirrty
David Gray – Babylon
Deicide – Fuck Your God
Don McLean – American Pie
Dope – Die MF Die, Take Your Best Shot
Dr. Dre
Drowning Pools – Bodies
Eminem – Kim, Slim Shady, White America
Li’l Kim
Limp Bizkit
Matchbox Twenty – Gold
Meat Loaf
Metallica – Enter Sandman
Neil Diamond – America
Nine Inch Nails – March of the Pigs, Mr. Self-Destruct
Prince – Raspberry Beret
Queen – We are The Champions
Rage Against the Machine – Killing in the Name Of
Red Hot Chilli Peppers
Saliva – Click Click Boom
Sesame Street – Thema der Kindersendung
Tupac – All Eyes on Me

Hell’s Bells in Guantanamo (via Fefe)

Shoot an Iraqi: Art, Life and Resistance Under the Gun


(Youtube Direktshooter)

Wafaa Bilal, über dessen Installation zum Irak-Krieg ich hier bereits gebloggt hatte, hat ein Buch über seine Shoot-Him-Up-Kunst geschrieben. Er hatte für einen Monat eine Paintball-Gun in seinem Atelier installiert, die Besucher einer Website online steuern konnten, während der 30 Tage wurden 65.000 Paintballs auf ihn abgefeuert. Oben der Trailer zum Buch, WMMNA hat ein Review dazu:

Wafaa Bilal’s childhood in Iraq was defined by the horrific rule of Saddam Hussein, two wars, a bloody uprising, and time spent interned in chaotic refugee camps in Kuwait and Saudi Arabia. Bilal eventually made it to the U.S. to become a professor and a successful artist, but when his brother was killed at a U.S. checkpoint in 2005, he decided to use his art to confront those in the comfort zone with the realities of life in a conflict zone.

Thus the creation and staging of Domestic Tension, an unsettling interactive performance piece: for one month, Bilal lived alone in a prison cell-sized room in the line of fire of a remote-controlled paintball gun and a camera that connected him to internet viewers around the world. Visitors to the gallery and a virtual audience that grew by the thousands could shoot at him 24 hours a day.

The project received overwhelming worldwide attention, garnering the praise of the Chicago Tribune, which called it “one of the sharpest works of political art to be seen in a long time,” and Newsweek’s assessment “breathtaking.” It spawned provocative online debates and ultimately, Bilal was awarded the Chicago Tribune’s Artist of the Year Award.

Book Review – Shoot An Iraqi, Art, Life and Resistance Under the Gun
Amazon-Partnerlink: Shoot an Iraqi: Art, Life and Resistance Under the Gun

Dan Witz favourite Streetart aus der Bush-Ära

Dan Witz schreibt bei Wooster über die beeindruckendste Street-Art, die er in den vergangenen 8 Jahren bewundern durfte. Keine bunten Bilder, keine Stencils, keine Banksys, nichtmal was Gesprühtes, sondern: kopierte Bilder alltäglicher Szenen aus irakischen Familien, ein wunderbares Statement gegen die Entmenschlichung, die in jedem Krieg stattfindet. Die besten Ideen sind immer einfach. Immer.

I have to say, throughout these dark days, no significant art of rebellion stands out for me, my own work included, except for one thing: the piece below which I first saw on the Wooster Collective site on February 14th. 2003.

in 2003, the week before the US started bombing Baghdad, these posters began appearing in cities throughout the world. These pictures of daily life in Iraq were taken by artist Paul Chan, who had recently returned from Baghdad as a member of the Iraq Peace Team. He posted them on the web as a way of introducing Americans to the people who we were about to be bombing. In New York City, the Baghdad Snapshot Action Crew printed out the photos and put them up around the city with tape or wheatpaste.

“Give ‘Em Props!”: Dan Witz on the Baghdad Posters

Spiegel-Cover „Die Bush Krieger“ 2002/2008

Das Spiegel-Cover von morgen im Vergleich zu seinem Vorgänger von 2002. Nuff said.

Spiegel’s “Bush Warriors” Covers (via Reddit)

Lebedenko’s massive, land-crawling Tsar Tank

A post on a Russian Steampunk (Stimpank!) community offers a gallery of attractive images of N. Lebedenko’s amazing Netopyr, or Tsar Tank: a massive tricycle-like armored vehicle with a wheel span of 27 feet and cannons loaded on a rotating turret, the underbelly and the sponsons. The huge wheels were intended to roll over large ditches and walls, as well as gelatinize fleeing hordes of Bolsheviks.

Link

I met the Walrus: Animiertes John Lennon-Interview


(Youtube Direktlovepeaceunity)

Jerry Levitan schlich sich 1969 in John Lennons Hotelzimmer und brachte Ihn dazu, ein paar Fragen für ein kleines Interview über Liebe, Krieg und Frieden zu beantworten. 38 Jahre später animierte Josh Raskin Visuals von James Braithwaite und Alex Kurina und das Teil heimste auch prompt eine Oscar-Nominierung ein. They don’t make Lennons like this these days anymore.

An Academy Award-nominated short film that fuses an audio recording of John Lennon being interviewed by “a 14-year-old Beatle fanatic named Jerry Levitan, (who), armed with a reel-to-reel tape deck, snuck into John Lennon’s hotel room in Toronto and convinced John to do an interview about peace” with new animation has surfaced on YouTube.

Pen drawings by James Braithwaite and digital illustrations by Alex Kurina demonstrate Levitan’s questions and Lennon’s answers in I Met The Walrus, animated and directed by Josh Raskin and produced by Jerry Levitan, now in his fifties. (Listening Post)

More Booze! More Coke! More wet Pussy!

Der heutige Wulff Morgenthaler lässt mich auch beim fünften Mal immer noch unkontrolliert vor mich hingiggeln. Wenn ich nicht ganz genau wüsste, dass es keinen Gott gibt, müsste ich annehmen, dass sich das damals genau so zugetragen hat. Hat es aber nicht, weil… naja.

Link

Paper Wars exhibition

Check out the Paper Wars show, opening May 15 at the Craze Gallery. It’s themed around the papercraft AK-47 and features many pieces based off that kit, as well as other sculptures like the one above.

Link

High-Tech-Rüstung für den Soldaten von morgen

Gerade ist in den Kinos weltweit die Comic Verfilmung Iron Man angelaufen, in der Multimilliardär Tony Stark (gespielt von Robert Downey Jr) eine eiserne High-Tech-Rüstung entwickelt, die ihn mit übermenschlichen Kräften und Fähigkeiten ausstattet. Diese Marvel-Vision versucht die Salt Lake City (US-Bundesstaat Utah) ansässige Firma Raytheon mit ihrem Exoskeleton Wirklichkeit werden zu lassen: Wie im Film soll der futuristische Anzug mittels Sensoren und Motoren die Kraft, Ausdauer und Gewandtheit seines Trägers erhöhen.

Link

US army develops robotic suits

On the big screen, films like Robocop, Universal Soldier and forthcoming release Iron Man show man-machines with superhuman powers. But in Utah they are turning science fiction into reality.

Link (via)

The Road to Guantanamo – Dokumentation

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Chain Reaction: From Einstein to the Atomic Bomb

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In the popular imagination, Albert Einstein is intimately associated with the atom bomb. A few months after the weapon was used against Japan in 1945, Time put him on its cover with an explosion mushrooming behind him that had E = mc2 emblazoned on it. In a story overseen by an editor named Whittaker Chambers, the magazine noted with its typical prose from the period: “[T]here will be dimly discernible, to those who are interested in cause & effect in history, the features of a shy, almost saintly, childlike little man with the soft brown eyes, the drooping facial lines of a world-weary hound, and hair like an aurora borealis….Albert Einstein did not work directly on the atom bomb.

Link

First-Person Shooter Turns Political

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War will become more like a video game, and vice versa, as computer-controlled weapons systems become more advanced and civilians can watch wars in progress online. So Iraqi artist Wafaa Bilal is forcing people to confront the boundaries between wars and games, with one art installation that allows people to shoot paintballs at him via the Internet, and another which inserts him into an anti-George Bush video game.

Link

Die Frau hinter der Kamera in Abu Ghraib.

Der New Yorker hat die Geschichte der Frau aufgeschrieben, die die Aufnahmen aus dem Foltergefängnis in Abu Ghraib gemacht hat. Liest sich teilweise sehr verstörend, was mich allerdings auch kaum überrascht.

Okay, I don’t like that anymore. At first it was funny but these people are going too far. I ended your letter last night because it was time to wake the MI prisoners and “mess with them” but it went too far even I can’t handle whats going on. I cant get it out of my head. I walk down stairs after blowing the whistle and beating on the cells with an asp to find “the taxicab driver” handcuffed backwards to his window naked with his underwear over his head and face. He looked like Jesus Christ. At first I had to laugh so I went on and grabbed the camera and took a picture. One of the guys took my asp and started “poking” at his dick. Again I thought, okay that’s funny then it hit me, that’s a form of molestation. You can’t do that. I took more pictures now to “record” what is going on. They started talking to this man and at first he was talking “I’m just a taxicab driver, I did nothing.” He claims he’d never try to hurt US soldiers that he picked up the wrong people. Then he stopped talking. They turned the lights out and slammed the door and left him there while they went down to cell #4. This man had been so fucked that when they grabbed his foot through the cell bars he began screaming and crying. After praying to Allah he moans a constant short Ah, Ah every few seconds for the rest of the night. I don’t know what they did to this guy. The first one remained handcuffed for maybe 1 ½-2 hours until he started yelling for Allah. So they went back in and handcuffed him to the top bunk on either side of the bed while he stood on the side. He was there for a little over an hour when he started yelling again for Allah. Not many people know this shit goes on. The only reason I want to be there is to get the pictures and prove that the US is not what they think. But I don’t know if I can take it mentally. What if that was me in their shoes. These people will be our future terrorist. Kelly, its awful and you know how fucked I am in the head. Both sides of me think its wrong. I thought I could handle anything. I was wrong.

Link (via)

Folter-Dokumentation „Taxi to the Darkside“ der BBC online

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Die Dokumentation „Why Democracy? Taxi to the Dark Side“ untersucht die Foltervorwürfe gegen die USA anhand des afghanischen Taxifahrers Dilawar, der fünf Tage nach der Inhaftierung in Bagram starb.

The documentary, by award-winning producer Alex Gibney, carefully develops the last weeks of Dilawar’s life and shows how decisions taken at the pinnacle of power in the Bush Administration led directly to Dilawar’s brutal death. The film documents how Rumsfeld, together with the White House legal team, were able to convince Congress to approve the use of torture against prisoners of war. Taxi to the Dark Side is the definitive exploration of the introduction of torture as an interrogation technique in U.S. facilities, and the roles played by key figures of the Bush Administration in the process. (Wikipedia)

Gib mir den Rest, Baby…

Rise of the machine: Terminator-style robot war ‘could be a reality within 10 years’

Robot soldiers that can decide who to attack will soon be roaming the world’s battlefields if something isn’t done about the global ‘robot arms race’.

That is the stark warning from a leading robotics expert who spoke today of the dangers of allowing increasingly sophisticated robots to make decisions of life and death.

Professor Noel Sharkey, a robotics and artificial intelligent expert from the University of Sheffield, also warned that armed robots could soon become terrorists’ weapon of choice.

Link

Food Wars – Die Geschichte des Kriegs in Burgern und Bretzeln

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Die Geschichte (amerikanischer) Kriege mit Burgern, Hähnchenteilen, Fallafel, Schaschlick-Spießen, Frühlingsrollen und so. Eine Legende dazu gibt’s hier, wir sind natürlich die Bratwurst und die Bretzel. War ja klar.

Food Fight is an abridged history of war, from World War II to present day, told through the foods of the countries in conflict. Watch as traditional comestibles slug it out for world domination in this chronologically re-enacted smorgasbord of aggression.

Gib mir den Rest, Baby…

Wie gute Menschen böse werden…

Auf Wired gibt es ein hochinteressantes Interview mit dem Psychologen Philip Zimbardo, der 1971 das berühmt-berüchtigte Stanford-Experiment durchführte, in dem er Studenten in Wärter und Gefangene einteilte und das Grundlage für den Film „Das Experiment“ war. Im Interview geht es um die Folter im irakischen Abu Ghraib:

Wired: You were an expert defense witness in the court-martial of Sgt. Chip Frederick, an Abu Ghraib guard. What were the situational influences in his case?

Zimbardo: Abu Ghraib was under bombardment all the time. In the prison, five soldiers and 20 Iraqi prisoners get killed. That means automatically any soldier working there is under high fear and high stress. Then the insurgency starts in 2003, and they start arresting everyone in sight. When Chip Frederick [starts working at Abu Ghraib] in September, there are 200 prisoners there. Within three months there’s a thousand prisoners with a handful of guards to take care of them, so they’re overwhelmed. Frederick and the others worked 12-hour shifts. How many days a week? Seven. How many days without a day off? Forty. That kind of stress reduces decision-making and critical thinking and rationality. But that’s only the beginning.

He [complained] to higher-ups on the record, “We have mentally ill patients who cover themselves with [excrement]. We have people with tuberculosis that shouldn’t be in this population. We have kids mixed with adults.”

And they tell him, “It’s a war zone. Do your job. Do whatever you have to do.”

Heute hat er auf der TED-Konferenz gesprochen, ich denke, das Video dazu wird in den nächsten Tagen im meinem Feedreader auftauchen. Ich reiche das dann nach.

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[update] Auf der TED-Website gibt es erste Notizen zu Zimbardos Vortrag:

What makes people go wrong?. “The line between good and evil is movable and permeable. Good people can be seduced through that line. Good and evil are the yin and yang of the world; God’s favorite angel was Lucifer, which God punished by sending to Hell — paradoxically, it was God who created evil. Evil is the exercise of power to intentionally harm people psychologically, destroy them physically and commit crimes against humanity.”

NSFW: Disturbing New Photos From Abu Ghraib

NSFW: VIEWER DISCRETION IS ADVISED. As an expert witness in the defense of an Abu Ghraib guard who was court-martialed, psychologist Philip Zimbardo had access to many of the images of abuse that were taken by the guards themselves. For a presentation at the TED conference in Monterey, California, Zimbardo assembled some of these pictures into a short video. Wired.com obtained the video from Zimbardo’s talk, and is publishing some of the stills from that video here. Many of the images are explicit and gruesome, depicting nudity, degradation, simulated sex acts and guards posing with decaying corpses. Viewer discretion is advised.

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Gas Mask Fashion

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And yet multitudes of people of various age and occupation donned these rubber/plastic stifling contraptions, most as an entirely justifiable part of the Cold War civil defense exercises, but some – well, see for yourself. Could there be a type of people who would adopt “gas mask fashion” for no apparent reason?

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