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Alan Moore-Interview zu Dodgem Lodgic, seinem neuen Underground-Mag [UPDATE: OMG! Moore/Gorillaz-Colab!]

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Heute morgen kam die Mail vom Publisher von Dodgem Lodgic, Alan Moores neuem Underground-Mag, dass das Ding dort jetzt bestellbar wäre. Ich hatte meine Bestellung natürlich innerhalb von 2 Minuten abgeschickt, das Ding sollte aber auch demnächst bei meinem Comic-Dealer vorliegen, wo ich ja sowieso mal wieder vorbeimuss. Mein Geldbeutel freut sich schon. (Tatsächlich war ich heute in der anderen Filiale, die leider gleich bei mir ums Eck ist und habe mir Comic-Biographien von Franz Kafka [gezeichnet von Robert Crumb!] und Johnny Cash gekauft.)

Hier jedenfalls ein Interview mit Moore und die paar Seiten aus dem Magazin, die man dort sehen kann, gefallen mir schonmal äußerst gut.

[Dodgem Logic:] A sort of alternative press?

Well, we’ve tried to resurrect a spirit of the 60s underground papers, but without the look or ambience or some of the oversights. There were a lot of very good ideas that emerged from the 60s underground. It was the first place I heard about women’s liberation – as we used to call it then – or gay liberation. They were fanatically anti-war. Many of their most extreme political statements, such as the fact that sometimes the police kill people, or that sometimes we make deals with dictators and criminal governments that we keep quiet about – these things are pretty much standard stuff of conversation these days and not reserved purely for bearded wild-eyed burbling radicals (chuckles).

Certainly the response that we’ve had to the bits of news about Dodgem Logic that have leaked out has been very, very positive. People seem to have been waiting a long time for Dodgem Logic, or at least what they hope Dodgem Logic is going to be. We’ll either manage to offend nobody or everybody – that’s okay, as long as it’s all encompassing.

So there’s an overtly political thrust to the mag?

To a certain extent. In the second issue I’m doing a piece on anarchy: the practicalities of it, and how it might be made to work without just fucking everything up forever (laughs).

Alan Moore talks Dodgem Logic – an exclusive interview about his new magazine (via Dangerous Minds)

Vorher auf Nerdcore:
Dodgem Logic: Alan Moores neues Underground-Mag

[UPDATE] OMG! Das wichtigste im Interview hatte ich ja völlig überlesen: Alan Moore wird zur nächsten Oper der Gorillaz beisteuern und die machen im Gegenzug ein paar Seiten in der dritten Ausgabe von Dodgem Logic! Whooohoo!

the issue after that we’ve hopefully got Gorillaz onboard. They came down to Northampton last week because we’re planning for me to do the libretto on their next opera project. Being an opportunist, I of course asked them if they’d be prepared to contribute some pages to Dodgem Logic. Rather than just doing an interview with them, I thought it would be interesting to hand over a few pages for them to curate.

Obama Biografie von Alan Moore

Ahh, The Onion, wie ich ihn liebe. Diesmal mit der Meldung, Obama würde seine Biografie von Alan Moore als Comic schreiben lassen. Und die Idee ist nicht so abwegig, ist der Herr doch bekennender Comic-Geek.

“As evidenced by his epic run on Swamp Thing #21–64, Moore’s deft hand with both sociopolitical commentary and metaphysical violence makes him an ideal choice to chronicle my time in office,” Obama said of the author of Watchmen and From Hell, whom he reportedly chose over others on a short list of potential biographers that included Warren Ellis, Grant Morrison, and Bob Woodward.

Barack Obama Names Alan Moore Official White House Biographer

Dodgem Logic: Alan Moores neues Underground-Mag

Alan Moore, Schöpfer von Watchmen, The League of Extraordinary Gentlemen und dem vielleicht besten Batman-Comic The Killing Joke, macht ein Underground-Mag. Nuff said!

Forty years after the uproarious heyday of the alternative press, writer Alan Moore is launching the 21st century’s first underground magazine from his home town of Northampton, a community that is right at the geographical, political and economic heart of the country; one which has half its high street boarded up and is at present dying on its arse, just like everywhere else.

Drawing upon an overlooked and energetic pool of local talent as well as numerous friends and co-conspirators from comic books, the arts or entertainment, Dodgem Logic sets out to provide a splash of subterranean exotica in a bleached-out cultural and social landscape. Published every other month by counter-culture veterans KNOCKABOUT, Dodgem Logic is a forty page full-colour spectacle that, in addition, has an eight-page local section in each issue, thus inviting other areas to publish regional editions by providing their own inserts.

Announcing: Alan Moore’s “Dodgem Logic” (via Warren Ellis)

Alan Moore liest Rorschachs Journal


(Youtube Direktrorschach, via Digg)

Dieser Clip masht eine Szene aus der Doku „The Mindscape of Alan Moore“, in der der wahnsinnige Überbart-Comiczeichner einen Auszug aus Watchmen – Rorschachs Tagebuch – liest, mit der passenden Stelle des DC Motion-Comics, den sie als Promo für den Film gedreht hatten. Und ich liebe Moores Slang und seine Stimme, die perfekt zu Rorschachs extrem verdrehten und misanthropischen Weltbild passt. Herrlich, auf so ‘ne Art.

Vorher auf Nerdcore:
Alan Moore über Comics, Brecht und Jack The Ripper plus Moore-Doku: „The Mindscape of Alan Moore“

Alan Moore über Comics, Brecht und Jack The Ripper plus Moore-Doku: „The Mindscape of Alan Moore“

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Previewsworld hat ein langes und ausführliches Interview mit Comic-Gott Alan Moore (Watchmen, V for Vendetta) anläßlich des bald erscheinenden dritten Bandes von „The League of Extraordinary Gentlemen“ (via Hirnwichse). Die Story spielt ab dem Jahr 1910 und darin verwurstet er Figuren aus Brechts Drei Groschen Oper, Stummfilmen aus der Zeit und Jack The Ripper. Überhaupt: Alan Moore. Ich habe mir neulich erst die Dokumentation „The Mindscape of Alan Moore“ angesehen. Unfassbar, wie ein kauziger Mann mit Rauschebart und eine Doku über ihn, die nichts anderes macht, als ihn zu zeigen, wie er seine Lebensgeschichte in seinen Bart nuschelt, so hypnotisch sein kann. Die Doku ist natürlich online, unbedingt ansehen.


(Google Direktalanmoore)

Hier ein paar Zitate daraus, via Underwire

On his early career: “I wound up at a tannery pulling sheep skins out of tanks of urine and blood. We threw testicles at each other to relieve the boredom. I was smoking dope in the men’s room and got fired. Then I became a toilet cleaner at a hotel and went downhill from there, to where I finally became a comics writer.”

On education: “I was expelled at 17 from school. My headmaster wrote to all the schools that I might apply to, telling them I would be a corrupting influence. He referred to me as psychopathic, which I thought was rather harsh.”

On V for Vendetta: “It was very overcast times politically in the early ’80s with Reagan in America and the National Front in England. In V for Vendetta, to get over the idea of fascism, I needed a symbol: security cameras on every corner. Readers were impressed and so, apparently, were government officials.”

On Watchmen: “Watchmen also grew out of the early ’80s … when nuclear destruction suddenly seemed a very real possibility. We treated these fairly ridiculous superhuman characters as more human than super and used clichés of the superhero formula to discuss notions of power and responsibility in an increasingly complex world.

A few things chimed well with the public but the most important thing was the actual storytelling. The world we presented didn’t really hang together in terms of linear cause and effect but was presented as some massively complex simultaneous event with connections made of coincidence and synchronicity.

This resonated with an audience that realized their previous view of the world was not adequate for the complexities of this scary and shadowy new world we were entering into. Watchmen, if anything, offered new possibilities for how we perceived this new environment.”

On magic: “Magic is the science of manipulating words and images to change consciousness. The artist is the closet thing to the shaman. In the present time, the fact that the power of magic has degenerated into cheap manipulation and entertainment is a tragedy.”

Noch mehr Moore: io9 hat drei Ausschnitte einer älteren Doku: „Monsters, Maniacs and Moore“.