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Salman Rushdies im September erscheinendes Buch The Golden House habe ich grade schonmal vorbestellt. Nicht nur, weil er darin so ungefähr alle Themen behandelt, die uns seit 3 Jahren kollektiv ausrasten lassen – Gamergate, Identity-Politics, die AltRight und Donald Trump („a ruthlessly ambitious, narcissistic, media-savvy villain sporting makeup and coloured hair“) –, sondern nicht zuletzt auch wegen des Vornamen seines Protagonisten. Er heisst René. 😯
Starting with the inauguration of Barack Obama in 2008, the book will include current and recent political and social events, including the rise of the ultra-conservative Tea Party; the Gamergate scandal, which saw the widespread online harassment of female gaming journalists framed as a debate about media ethics; the debate over identity politics; and, perhaps most urgently, “the insurgence of a ruthlessly ambitious, narcissistic, media-savvy villain sporting makeup and coloured hair”.
Publishing director at Jonathan Cape, Michal Shavit called it “the ultimate novel about identity, truth, terror and lies” for “a new world order of alternate truths”. She said The Golden House was “a brilliant, heartbreaking, realist novel that is not only uncannily prescient but shows one of the world’s greatest storytellers working at the height of his powers”.
Hier der Plot von Amazon:
When powerful real-estate tycoon Nero Golden immigrates to the States under mysterious circumstances, he and his three adult children assume new identities and reinvent themselves as Roman emperors living in a lavish house in downtown Manhattan. Arriving shortly after the inauguration of Barack Obama, he and his sons, each extraordinary in his own right, quickly establish themselves at the apex of New York society.
The story of the powerful Golden family is told from the point of view of their Manhattanite neighbour and confidant, René, an aspiring filmmaker who finds in the Goldens the perfect subject. René chronicles the undoing of the house of Golden: the high life of money, of art and fashion, a sibling quarrel, an unexpected metamorphosis, the arrival of a beautiful woman, betrayal and murder, and far away, in their abandoned homeland, some decent intelligence work.
Invoking literature, pop culture, and the cinema, Rushdie spins the story of the American zeitgeist over the last eight years, hitting every beat: the rise of the birther movement, the Tea Party, gamergate and identity politics; the backlash against political correctness; the ascendency of the superhero movie, and, of course, the insurgence of a ruthlessly ambitious, narcissistic, media-savvy villain wearing make-up and with coloured hair.
In The Golden House, as entertaining as it is poignant, a revelatory panorama of our time, Rushdie has done the seemingly impossible in the 21st century: he has written the novel of our times, the great American novel.