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Neuer (zu langer und spoileriger) Trailer zum Stepford-Wives-artigen und hervorragend aussehenden Rassismus-Horror Get Out. Außerdem ein fieser Trailer zum Rache-Western Brimstone, zum Doku-Drama All these sleepless Nights aus Polen, zum Mystery-Thriller We don't belong here, dem billig wirkenden, aber durchaus lustig-sein-könnenden SciFi-Trash Beyond The Edge und das Ende aller Tage im Teaser zur dritten Staffel von The Leftovers.
In Universal Pictures’ Get Out, a speculative thriller from Blumhouse (producers of The Visit, Insidious series and The Gift) and the mind of Jordan Peele, when a young African-American man visits his white girlfriend’s family estate, he becomes ensnared in a more sinister real reason for the invitation.
Now that Chris (Daniel Kaluuya, Sicario) and his girlfriend, Rose (Allison Williams, Girls), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy (Catherine Keener, Captain Phillips) and Dean (Bradley Whitford, The Cabin in the Woods).
At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined.
Equal parts gripping thriller and provocative commentary, Get Out is written and directed by Peele (Key and Peele) and produced by Blumhouse’s Jason Blum, as well as Sean McKittrick (Donnie Darko, The Box), Peele and Edward H. Hamm Jr. (The Box, Bad Words). The film also stars Caleb Landry Jones (X-Men series), Milton “Lil Rel” Howery (The Carmichael Show), Betty Gabriel (The Purge: Election Year), Marcus Henderson (Pete’s Dragon) and Keith Stanfield (Straight Outta Compton).
Wrongly accused of a crime she didn’t commit, a frontier woman turned fugitive is hunted by a vengeful preacher in the menacing inferno of the old American West.
Many of us know the freedom of our twenties—unfettered by responsibilities or mortality, inventing ourselves in the rush of the moment. ALL THESE SLEEPLESS NIGHTS viscerally summons that feeling, chronicling life across two Warsaw summers when students Kris and Michal resolve to experience life to the limit.
After Kris breaks up with his long-time girlfriend, anything seems possible and Warsaw is his playground. Along with best friend Michal, handsome and wide-eyed, they roam the metropolis at night, floating from party to party, dancing until dawn in makeshift clubs and city squares. With only instinct and desire as their guides, big ideas intermingle with drugs and sex and one thing seamlessly gives way to another. However, when Kris falls for Michal’s ex-girlfriend, the indomitable and alluring Eva, the relationship between the two best friends falls apart. Determined to find his true self Kris navigates between his memories and future hopes soon realizing that his crusade to understand life has starting to overshadow living it. In a profound and compelling celebration of cinema, filmmaker Michal Marczak captures the very heart and soul of a generation awake enough to dance to their dreams.
A matriarch of a dysfunctional family is pushed to her tipping point by the disappearance of her son.
A scientist and a pilot volunteer for a high profile mission to reach the end of the universe. After 13 years, the ship crashes through the end of the universe and into the unknown.
The Final Season of The Leftovers premieres Sunday, April 16 on HBO.