Gepostet vor 1 Jahr, 21 Tagen in
Jack Whites Third Man Records haben wie angekündigt das erste Vinyl in der Stratosphäre in 28 Kilometern Höhe gespielt, auf einem „space-proof“ Plattenspieler.
The craft reached a peak altitude of 94.413 feet at 1:21:20 flight time (roughly 1000/feet/minute) when the balloon burst (a truly beautiful sight) and the descent began. For the entire hour and twenty minutes of ascension, the Icarus turntable faithfully played Carl Sagan’s “A Glorious Dawn” (from “Cosmos” by Symphony of Science composer John Boswell) on repeat, using an impressively sturdy phono cartridge and stylus as well as an onboard flight computer programmed with a few different actions to keep the record playing while it was safe to do so. Once the return to Earth began (with the craft attached to a parachute and falling about 4x faster than it rose), the turntable automatically went into “turbulence mode,” where the record continued to spin, but the tone arm was triggered to lift from the record surface and stay in its locked position, to protect both the needle and the record itself. When Icarus reached the ground — a vineyard, to be exact — the record still spun, unfazed by its incredible journey.
Wegen des Copyright-Bullshits und den Kulturverhinderern von Gema und den Youtubes können wir das Dokument dieses NearSpace-Turntableism und die zweistündige Langversion hierzulande natürlich nicht sehen. Deshalb habe ich das Video (nur 5minütige Zusammenfassung) gezogen und hoste es als MP4 selbst, hier die Plattenspieler-Space-Shenanigans:
Beyond the potentially bumpy ride, Carrico’s other hurdles to jump in making this project a success had to do with the just how incompatible space & vinyl records actually are! According to Carrico, “As you rise higher and higher into the thinning atmosphere, temperature and increasing vacuum (lack of air) can cause issues. Vinyl has a rather low melting point (160°F), and without air to keep things cool, you could wind-up with a lump of melted plastic on your hands if a record is exposed to the sun for too long. Without air, things in direct sunlight can get very hot while things in shade can get very cold. This constant expansion and contraction can physically distort a vinyl record rendering it unplayable. so our turntable platter also served as a heat-sink in order to keep the vinyl cool in direct sunlight.” The gold plating on the record was another measure to keep the grooves from losing their shape.
From its conception to flight, this endeavor took over three years, with much of that time spent in research and development, as Carrico tested each component of the craft separately and in combination with others. Of course, Carrico was often pulled away to tend to other Third Man Records projects including rehabilitating the Recording Booth and Wax-O-Matic that now reside at its Cass Corridor location. The discoveries made while working on vintage machines like these actually proved helpful in solving issues with Icarus, and visa versa, many solutions developed for Icarus were implemented in Third Man’s machines, full circle.
About the ICARUS CRAFT launch, Third Man Records owner Jack White said, “Our main goal from inception to completion of this project was to inject imagination and inspiration into the daily discourse of music and vinyl lovers. Combining our creative impulses with those of discovery and science is our passion, and even on the scale that we are working with here, it was exhilarating to decide to do something that hasn't been done before and to work towards its completion. And, it brings us great fulfillment to pay tribute to the incredible scientist and dreamer that Carl Sagan was. We hope that in meeting our goal we inspire others to dream big and start their own missions, whatever they may be.“