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Neue Trailer zur Doku Roseanne for President (The Weed Supercut, yay!), dem Standardhorrordings Viral (looks crap but fun) zum singapureanischen Actioner Cold War 2, Netflix spielberscher Winona-Serie Stranger Things (❤️), der Doku Richard Linklater: Dream is Destiny, ein Redband-Trailer zu Bad Moms und gleich zwei Trailer/Teaser zum koreanischen, super-fun aussehenden Mashup aus Zombie-Schlock und dem 1985er Action-Reißer Runaway Train, Train to Busan, in dem sich ein Vater vor ’ner Zombie-Invasion mit seiner Tochter in einen führerlosen Zug flüchtet. Geil!
Sok-woo and his daughter Soo-ahn are boarding the KTX, a fast train that shall bring them from Seoul to Busan. But right at the moment of their departure, the train station is overrun by zombies which kill the train driver and several others. While the KTX is shooting driver-less to Busan, the passengers have to fight for their naked lives against the zombies.
Set in Hawkins Indiana in the 1980’s, Stranger Things chronicles the search for a young boy who vanishes into thin air under highly suspicious circumstances. His mother (Winona Ryder) opens an investigation into the boy’s disappearance with local authorities that unravels a series of mysteries involving top-secret government experiments, terrifying supernatural forces and one very strange little girl. A love letter to the ubiquitous cult classics of the 80’s, Stranger Things is a coming of age story for three boys that draws this quaint community into a world where mysteries lurk beneath the surface.
Teenaged sisters Emma (Sofia Black-D’Elia) and Stacey (Analeigh Tipton) live a normal life, until their small suburban neighborhood is stricken with a mysterious parasitic virus. As the disease rapidly spreads throughout the town, the two band together to barricade themselves from infection. But it may already be too late – when the virus enters their home, the sisters are faced with an impossible choice: protect each other, or survive the virus.
A feature documentary on the life and work of filmmaker, Richard Linklater. Produced and Directed by Louis Black (founder of SXSW Festivals and the Austin Chronicle) and Karen Bernstein (Emmy and Grammy Award winning documentary filmmaker), this is an unusual look at a fiercely independent style of filmmaking that arose from Austin, Texas in the 1980s/ early 90's and how Linklater's films, Slacker, Dazed and Confused, Waking Life and Boyhood, sparked a low budget, in your own backyard movement in this country and around the world.
Based on a true story, “War Dogs” follows two friends in their early 20s (Hill and Teller) living in Miami Beach during the Iraq War who exploit a little-known government initiative that allows small businesses to bid on U.S. Military contracts. Starting small, they begin raking in big money and are living the high life. But the pair gets in over their heads when they land a 300 million dollar deal to arm the Afghan Military—a deal that puts them in business with some very shady people, not the least of which turns out to be the U.S. Government.
Follow comedy legend Roseanne Barr as she embarks on a wild, hilarious, and impassioned campaign for the highest office in the land. It's 2012 and Barr, fed up with corporate influence in politics, takes matters into her own hands when she launches a third party presidential bid founded on grassroots activism. Hitting the campaign trail, the sarcastic, opinionated, and outspoken Barr makes for a candidate unlike any other as she brings her message to the people. Featuring appearances from Michael Moore, Sandra Bernhard, Rosie O'Donnell, and others close to Barr, Roseanne for President! is both a rousing David vs. Goliath tale and a revealing portrait of a cultural icon.
Sean Lau is now the Commissioner of Police after the successful rescue operation. However, things turn bad when his wife and daughter are kidnapped. Sean has to seek help from former rival and retired DCP, Waise Lee, to return to his job to help save Sean's wife and child.
When three overworked and under-appreciated moms are pushed beyond their limits, they ditch their conventional responsibilities for a jolt of long overdue freedom, fun, and comedic self-indulgence.