Trailerfest: The Nice Guys, Dangermouse, Sweet Home, Andron (and the DCU-Implosion has begun)

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Neue Trailer zur Detektiv-Mystery-Comedy „The Nice Guys“ mit Russell Crowe und Ryan Gosling, der Netflix-Version von „Danger Mouse“, sowie dem generischen Horror-Dings „Sweet Home“ und dem generischen SciFi-Dings „Andron“.

Eigentlich will ich aber die Meldung loswerden, dass Seth Grahame-Smith keinen Bock mehr auf Warners „The Flash“-Verfilmung hat und das sinkende Schiff wegen „kreativer Differenzen“ verlassen hat. Kann man natürlich auch positiv sehen: Grahame-Smith hat die immergleiche Classics-vs-Zombies-Welle losgetreten und die Bücher zu „Abraham Lincoln: Vampire Hunter“ und „Pride and Prejudice and Zombies“ verbrochen.

Jedenfalls: Daraufhin gerüchtet es jetzt, dass da hinter den Kulissen ordentlich die Fetzen fliegen und man spekuliert bereits darauf, wann James Wan die „Aquaman“-Verfilmung hinschmeisst. Mir kann die Implosion des derzeitigen DCU gar nicht schnell genug gehen. Warner soll endlich Snyder loswerden und vielleicht kriegen wir dann irgendwann in den nächsten Jahren einen guten Superman-Film. Batman ist ja bei Affleck in guten Händen, da mache ich mir nur wenig Sorgen. Das derzeitig geplante DCU insgesamt dürfte aber an diesem Drecksfilm mittelfristig ersticken. Good. Here's some nicer Guys than me:

The Nice Guys – 70's Retro Trailer

Newsbits:

- Because ofcourse: Netflix green-lights The Punisher spin-off
- More High Profiles added to the best of all SciFi-Series: ’10 Cloverfield Lane’ Director Dan Trachtenberg To Helm ‘Black Mirror’ Ep For Netflix
- „[Hulu] announced that it's ordered a full series adaptation of The Handmaid's Tale, Margaret Atwood's seminal sci-fi novel. It centers on a totalitarian society where the birth rate is falling, and fertile women are placed in sexual slavery as 'handmaids' to help humanity repopulate.“
- Marc Platt To Bring Sega’s ‘Shinobi’ To Big Screen. Okay.
- The Implosion of the DC Cinematic Universe has begun: Director Seth Grahame-Smith has left The Flash. The official explanation: "creative differences." Rest is hearsay, but sounds plausible. [Insert obligatory Hate-to-say-I-told-you-so-Yada-Yada here.]

Sources at WB tell me that this is just one part of what's going on behind the scenes at the DC movieverse. Zack Snyder and Geoff Johns were taken aback at critical and audience reaction to Batman v Superman, I'm told, and WB execs have found themselves at odds with Snyder over his vision for Justice League and the DC movieverse going forward. Of course Justice League was scheduled to start shooting mere days after BvS was released, which meant WB couldn't take any definitive action - like removing Snyder or delaying the movie to make changes - without poisoning the box office for BvS. The result? Lots of fights between Snyder and the WB execs, and lots of pressure from Burbank on Snyder, who is shooting in London.

Danger Mouse

No threat is too small, no evil too great for this secret agent mouse and his sidekick! Villains: You've been warned.

Sweet Home

A young real estate broker is planning a romantic meeting with her boyfriend in an old apartment building. But the couple is forced to fight for their lives, when a group of murderers is trying to kill them.

Andron

A group of people are plunged into a dark, claustrophobic maze, where they must fight to survive, as the outside world watches.

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