Gepostet vor 5 Jahren, 4 Monaten in
Ich hab' seit einer Weile den YT-Channel von ZZZFROMHELLZZZ abonniert und der hat gestern gleich drei tolle Dokus hochgeladen: Die PBS-Doku „Pioneers of Television – Science Fiction“ sowie Episode Zwei (über Philip K. Dick) und Vier (über Arthur C. Clarke) der von Ridley Scott produzierten Discovery-Channel-Doku „Prophets of Science Fiction“, deren ersten Staffelteil ich mir zwischen den Jahren angesehen hatte. Alles tolle Dinger, sollte man alle gesehen haben.
Alle drei Dokus und die Infos dazu nach dem Klick.
Prophets of Science Fiction: Arthur C. Clarke
Sir Arthur C. Clarke is among the most revered science fiction writers the genre has ever known -- responsible for some of the most iconic stories and essential technology of the modern world.
Some sci-fi storytellers are content to merely predict, but Sir Arthur C. Clarke creates. The writer is single-handedly responsible for the cornerstone of modern telecommunication: the satellite. Clarke details the design of satellite technology in a 1945 essay. His failure to patent the radical idea results in an aptly-titled later essay: How I Lost a Billion Dollars in My Spare Time.
In the 1960's, Sir Arthur collaborates with legendary filmmaker Stanley Kubrick on the breakthrough epic 2001. The film revolutionizes sci-fi cinema and correctly prophesizes details of our modern world, including commercial spaceflight, video-chatting, and even iPads. But can the deadly artificial intelligence of 2001's HAL 9000 be far behind?
Clarke's 1979 novel The Fountains of Paradise proposes an ingenious method of traveling from Earth to the stars: a Space Elevator. Today, Clarke's prophecy of geostationary, non-rocket spacelaunch is being realized as hi-tech building materials make fully functional space elevators a very real possibility for the near-future.
Sir Arthur C. Clarke's writing ushered in the dawn of the space age and gives us a glimpse of the next stage of interstellar travel. His sci-fi legacy inspires us to unveil the mysteries of the universe, confident in the knowledge that science is the new magic.
Prophets of Science Fiction: Philip K. Dick
Literary genius, celebrated visionary, paranoid outcast: writer Philip K. Dick lived a life of ever-shifting realities straight from the pages of his mind-bending sci-fi stories. Dick's iconoclastic work fuels blockbuster films like Minority Report and Blade Runner, and inspires ground breaking research in physics, robotics—even law enforcement.
Throughout the 1950s and 1960s, Dick pioneers the concept of virtual reality in his fiction. From this analog era, Philip K. Dick dreams into being a digital future — now realized in everything from motion-sensing video games, to the revolutionary simulated environments of UC San Diego's fully immersive StarCAVE.
In the 1956 thriller The Minority Report, Dick envisions a reality where pre-crime police can peer into the future to stop crimes before they occur. Fifty years later, American police departments unveil the bleeding edge in real-world precognitive crime prevention technology.
Dick's landmark 1968 novel, Do Androids Dream of Electric Sheep — known to a generation of moviegoers as Blade Runner — posits a blurring of the line between man and machine. According to robot-engineers, we are now on the cusp of just such a world.
The brilliant author's work continues to resound with an always-expanding audience. Through a lifetime of surreal experience, Philip K. Dick confronts readers with a deceptively simple question: What is reality?
Pioneers of Television - Science Fiction
It's no wonder that Gene Rodenberry, creator of "Star Trek," turned to science fiction when he wanted to delve into dicey subjects on television such as race relations and the value of war. It's easier to unearth tough subjects when creatures from another planet or another time deliver the truisms. Humans have always gazed up at the stars or stared deep into the black, rolling ocean with equal parts fascination and fear. The unexplored frontiers at the edges of our existence beckon and repel in equal measure. In the early to mid 1960s, a number of innovative television writers, producers and actors began playing with these ideas on the small screen — sometimes preying on our universal fears, and sometimes dreaming up a very different future. Whatever their initial aim, these television innovators left behind a legacy of science fiction television that entertained us and challenged our preconceived notions.
"Lost in Space"
A kitschy, comic science fiction show based loosely on the classic novel, The Swiss Family Robinson, "Lost in Space" debuted in 1965 and was created by Irwin Allen, the most successful science fiction producer of the decade. While the show centered on the misadventures of the Robinson family in outer space, a scene-stealing, villainous anti-hero emerged in the form of Dr. Zachary Smith (Jonathan Harris). Harris and the robot developed an unexpected comedic relationship in which the robot, voiced by Bob May, plays the "straight man," allowing Harris to deliver some of his most memorable zingers.
Gene Roddenberry had the kernel of an idea for "Star Trek" as early as 1961, and he planned for each episode of the series to deliver a cathartic two-punch in the form of entertaining adventure and moral message. But Roddenberry met resistance from NBC. The network insisted that the "Star Trek" pilot presented fascinating ideas but lacked excitement. Roddenberry reworked the script and brought actor William Shatner to the key role of Captain James T. Kirk. NBC executives were satisfied with the changes, and the series "Star Trek," hit small screens in 1966. Unlike anything that had come before it, "Star Trek" addressed issues of race, gender, war, nuclear proliferation and drug abuse in a context that was palatable to the public. And the on-screen chemistry between Captain Kirk and logical Mr. Spock, played by Leonard Nimoy, was unmistakable. The series became a cult classic, spawning an impressive franchise of movies, animated series, merchandise and fan groups.
"The Twilight Zone"
Created by Rod Serling, "The Twilight Zone" appeared on the small screen from 1959 to 1964, and the anthology series relied on reams of taut writing from sci-fi literary greats such as Ray Bradbury, Charles Beaumont and Richard Matheson.
"The beauty of the science fiction genre is that so much of it had been untouched," said Serling. "It had been reproduced in printed form over and over again, but it had never been done on camera, so we had almost a goldmine of unused material we could operate from."
Unlike other science fiction television shows that planted their scripts firmly in the future, this series' stories were usually set in more familiar surroundings. And instead of relying on a regular cast of characters, "The Twilight Zone" was an anthology with different actors for all 152 episodes. The result was a thought-provoking, unpredictable collection known for its excellent writing.