BLDGBLOG – eins der schönsten und ungewöhnlichsten Architekturblogs da draußen – hat ein Interview mit Mike Mignola geführt, am ehesten bekannt als Schöpfer von Hellboy. Es geht um „his interests, including H.P. Lovecraft, wartime landscapes, and houses on the verge of collapse, with a specific focus on what it means to draw spaces of horror and mythology“.
BLDGBLOG: I’ve long been interested in how people outside of the architectural world use buildings, landscapes, cities, and other spaces as a way to frame mood or character. Your own work, from Hellboy and the B.P.R.D. to Abe Sapien and Baltimore, is full of ruined churches, old battlefields, houses with flooded basements, warped floors and empty attics, and other straightforwardly Gothic landmarks. What draws you to these particular building types and locations, and how do these settings then affect your plot lines and characters?
Mike Mignola: Well, I am unapologetically old-fashioned in my use of Gothic settings. Ever since I was a kid, when I read Dracula, I’ve just loved those kinds of places.
I have never done a story in a shopping mall because, even if I’m not drawing it myself, I don’t want to see somebody draw a shopping mall. In the Hellboy world, and in other things I’ve done, those places almost don’t exist. When I do Eastern Europe—and I’ve been to Eastern Europe, and I’ve seen the shopping malls and the god-awful housing projects and things, and there are horror stories that take place in there, I have no doubt—but I gravitate toward the classic, clichéd, spooky places, whether they truly exist in this world or not.
But that’s the world I want to live in, and it’s the world my characters live in.