Yves Marchands und Romain Effres Abandoned-Fotografie hatte ich vor fast genau einem Jahr schonmal, jetzt hat sie der Guardian entdeckt und einen schönen Artikel über ihre Arbeiten und ihr neues Buch geschrieben inklusive schicker Galerie mit ein paar Bildern, die nicht auf ihrer Website zu sehen sind.
Bilder oben: „The biology classroom at George W Ferris School in the Detroit suburb of Highland Park“ und „Detroit’s Vanity Ballroom with its unsalvaged art deco chandeliers. Duke Ellington and Tommy Dorsey once played here.“
Cumulatively, the photographs are a powerful and disturbing testament to the glory and the destructive cost of American capitalism: the centre of a once-thriving metropolis in the most powerful nation on earth has become a ghost town of decaying buildings and streets. There is a formal beauty here too, though, reminiscent of Robert Polidori's images of post-hurricane Katrina New Orleans. "It seems like Detroit has just been left to die," says Marchand, "Many times we would enter huge art deco buildings with once-beautiful chandeliers, ornate columns and extraordinary frescoes, and everything was crumbling and covered in dust, and the sense that you had entered a lost world was almost overwhelming. In a very real way, Detroit is a lost world – or at least a lost city where the magnificence of its past is everywhere evident."
This sense of loss is what Marchand and Meffre have captured in image after image, whether of vast downtown vistas where every tower block is boarded-up or ravaged interior landscapes where the baroque stonework, often made from marble imported from Europe, is slowly crumbling and collapsing. The pair have photographed once-grand hotels that were built in a carefree mix of gothic, art deco, Moorish and medieval styles, as well as countless baroque theatres, movie houses and ballrooms – the Vanity, where big band giants such as Duke Ellington and Tommy Dorsey played in the 1930s; the Eastown theatre, where pioneering hard rock groups like Iggy and the Stooges and the MC5 held court in the 1960s.