In einem Interview, das man das Treffen der Giganten nennen könnte, interviewt Shepard „Obey Giant“ Fairey niemanden geringeres als Banksy, den er „The Great Communicator of our time“ nennt. Yeah, sort of.
How long are you going to remain anonymous, working through the medium itself and through your agent as a voice for you?
B: I have no interest in ever coming out. I figure there are enough self-opinionated assholes trying to get their ugly little faces in front of you as it is. You ask a lot of kids today what they want to be when they grow up, and they say, “I want to be famous.” You ask them for what reason and they don’t know or care. I think Andy Warhol got it wrong: in the future, so many people are going to become famous that one day everybody will end up being anonymous for 15 minutes. I’m just trying to make the pictures look good; I’m not into trying to make myself look good. I’m not into fashion. The pictures generally look better than I do when we’re out on the street together. Plus, I obviously have issues with the cops. And besides, it’s a pretty safe bet that the reality of me would be a crushing disappointment to a couple of 15-year-old kids out there.
What got you into graffiti? I know that you did more traditional graffiti at one point.
B: I come from a relatively small city in southern England. When I was about 10 years old, a kid called 3D was painting the streets hard. I think he’d been to New York and was the first to bring spray painting back to Bristol. I grew up seeing spray paint on the streets way before I ever saw it in a magazine or on a computer. 3D quit painting and formed the band Massive Attack, which may have been good for him but was a big loss for the city. Graffiti was the thing we all loved at school – we all did it on the bus on the way home from school. Everyone was doing it.